October is an exciting month for any YA lit fan, because it includes Teen Read Week! In honor of this annual celebration of young adult literature, YALSA invited book-loving teens all over the world to apply to share their enthusiasm for reading in a guest post for The Hub. Thirty-one talented young writers were chosen, and we’ll be featuring posts from these unique voices all month long. Here’s Dessi Gomez from California.
Movie soundtracks can potentially make or break a movie. It’s great when they complement the movie, and they are even more poignant when they connect to the book off of which the movie is based. I compared the soundtracks of three popular books that have been recently transformed into movies: The Giver by Lois Lowry, If I Stay by Gayle Forman, and The Fault in Our Stars by John Green. These soundtracks chosen to help tell each of these stories have different tones that create unique vibes for each and every reader and viewer. The Giver is suspenseful and liberating. If I Stay is indie and quietly heartbreaking. The Fault in Our Stars is modern and mainstream. I wanted to talk about four songs from each soundtrack that I personally think really topped off the movie. [Note: time stamps for specific lyrical references are given at the end of some descriptions.]
The Fault in Our Stars
- â€œAll of These Starsâ€ by Ed Sheeran
This song does a fine job of closing up the movie as the credits song. I thought of the title of the story when I heard the words, â€œI saw a shooting star and I thought of you.â€ Many of the songs in the soundtrack contain references to the stars. The lyric â€œI can see the stars from America/Amsterdamâ€ connects the two countries in which Hazel and Augustus spend time together. The combination of â€œthe way our horizons meetâ€ and â€œskyline splits in twoâ€ speaks of how Hazel and Augustus are meant to be together, but are cruelly torn apart. â€œI looked across and fell in loveâ€ reminds me of how Augustus couldn’t take his eyes off of Hazel once he saw her in support group. [Times: beginning-1:37; 2:17-2:35; 3:15 to end]
- â€œAll I Wantâ€ by Kodaline
After thinking about, “you brought out the best in me, a part of me I’ve never seen,â€ I realized that it definitely sums up how Augustus lit up Hazel’s life and made her so happy. I wholeheartedly agree with the line, â€œOur love was made for movie screens.â€ [Time: 2:02-2:27]
- â€œNot About Angelsâ€ by Birdy
This song epitomizes Hazel’s sadness. The vocals and piano pack a pining punch of fresh heartache. The following line really relates to how Hazel feels when Augustus tells her that his cancer is back: â€œHow unfair it’s just our luck. Found something real that’s out of touch.â€ The fact that â€œit’s not about angelsâ€ relates to Augustus’ fear of oblivion and to Hazel’s doubt in what Augustus’ parents call encouragements.
- â€œBest Shotâ€ by Birdy and Jaymes Young
This melody reflects Augustus’ omnipresence, even after he dies. He will always be there for Hazel. â€œStars fall from above, and you’re barely holding on my loveâ€ contains another allusion to stars and to Gus’ unwavering loyalty. It is a hopeful duet between a couple, both saying to each other, â€œI’ll be here givin’ it my best shot, cryin’ from the rooftops, nothing can stop us if we believe.â€
- â€œOrdinary Humanâ€ by One Republic
Another spectacular credits song, â€œOrdinary Human,” reflects Jonas’ new awareness of the world that he is living without.
â€œToday I took a walk in the clouds, used to keep my eyes wide shut but now I’m looking downâ€ reflects how Jonas’ eyes have been opened to a whole bunch of new ideas. He â€œused to be a shadow, now the shadows scream [his] nameâ€ describes how he wasn’t very important before he was named Receiver of Memory, but now that he is, every secret tugs at him, compelling him to discover. â€œIn the daylight I could swear, we’re the sameâ€ illustrates Jonas’ close bond to The Giver as well as the principle of Sameness that governs the community. I immediately thought of Jonas’ trek to the boundary of Elsewhere and his goal to heal the community when I heard the words, â€œThere’ll be peace in the city tonight, and when I’m gone, I hope that you/they get it right.â€
- â€œOne Minute Moreâ€ by Capital Cities
â€œDon’t wait for an invitation, no need for a reservationâ€ sounds like Jonas trying to convince his friends to break the strict rules. â€œYou gotta see what I see in youâ€ fits with Jonas’ attraction to Fiona, which was emphasized more in the movie than in the book; it also reflects when he tries to show his friends the colors. â€œJust think of a destination, I’ll be your transportation. We’ll find there’s a kind of place that can only be seen with the naked mindâ€ sounds exactly like something the Giver would say to Jonas in preparation for a reception of memory. More emphasis is placed on the fact that, despite the Giver and Jonas being two individuals, they work well together as a team by the words, â€œunleash your imagination, two stars one constellation.â€
- â€œSilentâ€ by Tori Kelly
Silent is a very strong song when it comes to tying in with The Giver. â€œNo more black and white, this life’s too colorfulâ€ definitely reflects how Jonas begins to see the colors. â€œSame faces around me with the same point of view: everything is perfect and everything’s ok, just swallow their lies and let your emotions fadeâ€ perfectly describes how Jonas feels when he is surrounded by other members of the community as well as how they behave. Jonas’ realization that he needs to go past the boundary to Elsewhere is evident in the lines, â€œgotta go gotta get out of this town, nothin’ left for me here, can’t stick aroundâ€ and â€œgot my own opinion my own words to say, got my own vision so I know I can’t stayâ€. He knows deep down that, â€œ[He’s] not meant to be silent.â€ [Time: beginning to 1:27]
- â€œWholeâ€ by Rixton
â€œWe’re/you’re tryin’ to take two halves and make them wholeâ€ is a sort of double entendre. It speaks of the committee and Chief Elder’s effort to make the community work, but by taking away freedom of choice and feelings and replacing them with obedience in order to help it run smoothly. This in turn is combined with Sameness, a form of Communism, and yes the community functions like a well-oiled machine (except for the occasional release), however it is missing something, therefore it is not whole. The other meaning is the attempt by the Giver and Jonas to replenish the community and fill the gap. â€œWhen you wake up, and you find that I’m not there, cry for me. Put on your make-up, and just let down your hair, don’t lose sleepâ€ puts Jonas’ thoughts of leaving his â€œfamily unitâ€ and friends for Elsewhere into words. It is basically saying: yes, miss me, but don’t worry.
If I Stay
- â€œPromiseâ€ by Ben Howard
The lyrics, â€œMeet me there, under the flowers, we’ll wait through the hours of cold winter,â€ contain a promise in itself. I love the scene in the movie that this song outlines. â€œTearin’ down doors of timeâ€ reminds me of how Adam and Mia wouldn’t see each other for long periods of time during their relationship. This song reflects the roughness and rockiness of the relationship with â€œpromise me this, you’ll wait for me only scared of the lonely arms.â€ They want to stay loyal to each other. I love the crescendo and touch of cello after â€œand maybe, I’ll come homeâ€ as well as the â€œwho am I darlin’ to/for ya?â€ lyric. This song is a quiet plea from both sides for the relationship to last. [Time: 0:31-0:58; 1:35-1:45; 2:25-3:40]
- â€œI Will Be Thereâ€ by Odessa
To me, this song is ultimately about loyalty and steadfastness, qualities that Mia, Adam, and Kim all possess. The following lyrics point this out for me: â€œIf you ever need someone, to cry to/ to hold you/ to just love you/ to simply adore you, I will be there, standin’ by your sideâ€ and â€œmountains to the sea, in every city, from the valleys to the moon, in every countryâ€ reminds me of nature in Oregon.
- â€œTodayâ€ by Williamette Stone
I love love love this collaboration between Mia, Adam, and Mia’s family. The simplicity and hominess and togetherness help make the song what it is. The guitar, banjo, and cello sound so harmonious together. Ultimately, I love it because it shows Mia that she really does belong in her family; it dissolves her doubts.
- â€œHealâ€ by Tom Odell
This is another perfect credits song because it is saying to heal and move on and let go and that is exactly what Mia needs to do. I love the soothing vibe and similes that Odell uses. â€œTake my mind and take my pain, like an empty bottle takes the rainâ€ (bottle it up and save it for another day), â€œtake my past and take my sins, like an empty sail takes the windâ€ (sail on, start a new journey), and â€œtake my heart and take my hands, like an ocean takes the dirty sandsâ€ (cleanse). These all contain some reference to water, which flows continuously and pushes through no matter what is in its way. This is what Mia needs to do. [Time: beginning to 2:00]
Music plays an important role in movies. It can be a true asset to the film by embodying the occurrences and feelings of the story, or it can distract by disagreeing with the plot, which leaves viewers confused and unsatisfied. These soundtracks served as the icing on the cake and the cherry on top for this trio of popular films.
Hi everyone! My name is Dessi Gomez. I live in California, and I am a sophomore at Santa Margarita Catholic High School. I also play soccer and participate in MUN. My hobbies include writing, going to the beach, and watching moviesâ€¦when I’m not reading, that is. I love to listen to music, especially Taylor Swift and Ed Sheeran. As of right now, my favorite book genres are Young Adult and Contemporary. I was so excited and grateful to be chosen as a guest blogger for The Hub and have enjoyed being part of the team. Hope you like my post!
You may also like:
Latest posts by Guest Blogger (see all)
- Interview with P. Djèlí Clark, 2019 Alex Award Winner - September 30, 2019
- Interview with David Small, 2019 Alex Award Winner - September 23, 2019
- Interview with Jonathan Evison, 2019 Alex Award Winner - September 16, 2019