The Teens Top Ten winners have been out for a few weeks and I was so pleased to see Leigh Bardugo’s Siege and Storm, the second book of her New York Times bestselling Grisha trilogy on the list. I’m happy to present a brief interview with Leigh about her work and series in general. If you’re interested in reading the rest of our Teens’ Top Ten interview series, take a look!
Congratulations to Leigh; many thanks for answering these questions and letting me clarify on Twitter! If you’re looking for more about Leigh be sure to check out her website, Tumblr, and Goodreads page.
To me there are distinct classes in the Ravka (peasants, Grisha, royalty) and different kids of Grisha who at first stay within their own group. You have set up the binary of light and dark, Alina and the Darkling, but things blur a bit by end. So how does the blending of Alina and the Darkling, dark/light inform your view of Ravka by the end and your view of our world? Are things really so different from each other?
I do think life would be a lot easier if people, decisions, experiences could be categorized as either purely bad or good, but that’s pretty rare, and I try my best to make sure my fiction reflects that. What’s the point in creating a dictator a reader wouldn’t be tempted to follow? Why should a heroine be immune to greed for power just because her cause is supposedly just? The action of the trilogy takes place during a time of tremendous upheaval and I think it’s natural that you’d see a breakdown in the traditional order of things. But I also think it’s worth noting that, even at the end of the trilogy, Ravka remains pretty stratified in terms of class. It was tempting to just tear down all the walls and shout, “Democracy!” but that wouldn’t have been true to the world I created.
You used to be a makeup artist, so how does working with the creation of an image, models, makeup, and perception influence your work as a writer, other than the perhaps obvious character of Genya?