It was pretty much inevitable that I would become a Hamilton addict. As both an American history nerd and a musical theatre geek, I found Lin-Manuel Miranda’s brilliant musical exploring the story of Alexander Hamilton and the founding of the United States irresistible from the moment I first listened to the opening number. However, my love of Hamilton comes not only from Miranda’s incredibly well-crafted soundtrack and book but also from his clear interest in highlighting perspectives often left out of the historical record, including the voices and experiences of women.
Obviously, I am not the first to notice this; articles like Michael Schulman’s “The Women of Hamilton“ and Constance Gibbs’ “How the Hero of Hamilton the Musical is a Woman” explore the powerful ways that Miranda’s writing and the performances of Phillipa Soo, Renee Elise Goldsberry, and Jasmine Cephas Jones illuminate the often unacknowledged perspectives, experiences, and contributions of women in our history. Singing along to songs like “The Schuyler Sisters,” “Satisfied,” and “Burn,” I can’t help but feel the urge to read some great historical fiction that places women and their stories in the spotlight.