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Tag: Morris Award

2020 Morris Award Finalists Announced

Five books have been selected as finalists for the 2020 William C. Morris Award, which honors the year’s best books written for young adults by a previously unpublished author.

The 2020 finalists are:

  • “The Candle and the Flame” written by Nafiza Azad, published by Scholastic Press, an imprint of Scholastic;
  • “The Field Guide to the North American Teenager” written by Ben Philippe, published by Balzer + Bray, an imprint of HarperCollins Publishers;
  • “Frankly in Love” written by David Yoon, published by P. Putnam’s Sons Books for Young Readers, an imprint of Penguin Young Readers, a division of Penguin Random House;
  • “Genesis Begins Again” written by Alicia D. Williams, published by Atheneum/Caitlyn Dlouhy Books, an imprint of Simon & Schuster Children’s Publishing;
  • “There Will Come a Darkness” written by Katy Rose Pool, published by Henry Holt, an imprint of Macmillan Children’s Publishing

 

 

 

 

 

View the full list with annotations on the Morris webpage. Publishers and library staff can purchase finalist seals to place on the finalist titles at www.ala.org/awardsgrants/seals.

#ALAMW19 Recap: Interviewing Vesper Stamper, author of When the Night Sings, 2019 Morris Award Finalist

What made you choose a YA story?

I hadn’t intended it as a YA story originally! I’ve always pursued picture books, but in grad school I began writing this as an adult story. It was my agent’s idea to make Gerta a teenager, and when I took that chance, the story practically wrote itself. When the character’s right, she tells you her own story!

Can you say in a few words what it was like to visit the concentration camps and the impact they had on your story?

It was difficult, of course, but necessary. It’s one thing to read about a place, or listen to someone tell you about it, but when I was in the physical places (Bergen Belsen, Terezin, Auschwitz), it felt like I’d been entrusted with something tangible to bring back to my readers—like a trunk of a loved one’s belongings, each with a story attached. These are places that change you. They’re terrible to go to, but anyone who can go, should.

#ALAMW19 Recap: Interviewing Tomi Adeyemi, author of Children of Blood and Bone, 2019 Morris Award Finalist

Tomi Adeyemi is a finalist for the 2019 William C. Morris YA Debut Award for her absorbing novel Children of Blood and Bone, published by Henry Holt Books, an imprint of Macmillan Children’s Publishing Group.

In Children of Blood and Bone, magic once ran in the bloodlines of the people of Orïsha. Diviners, children born with white hair, were destined to become maji in their teenage years, when they would develop abilities to control natural forces such as fire, water, and even life and death. These maji were an influential part of monarchy until King Saran eradicated magic through the slaughter of all adult maji. Those remaining–the diviner children and those of their bloodline–were subjugated under restrictive laws and made to suffer. Now seventeen, diviner Zélie remembers the night her mother was taken, and though she dreams of revenge and revolution, without magic her people are powerless. Then she meets runaway princess Amari, who fled King Saran with an ancient relic that she claims can restore magic. As they embark on a dangerous quest to unlock the relic’s potential, Amari’s conflicted brother Inan pursues them with his father’s soldiers.

2018 Morris Award Finalists: An Interview with S. K. Ali

S. K. Ali  is a finalist for the 2018 William C. Morris YA Debut Award for her novel Saints and Misfits. The award winner will be announced at the ALA Midwinter Meeting Youth Media (YMA) Awards on Monday, Feb. 12, 2018.

 

Smart, funny, and incredibly hard-working Janna Yusuf, an Arab American hijabi teen, is dealing with the usual teen issues of crushes, family, and friends. She finds her life thrown into personal upheaval after she is sexually assaulted by the seemingly devout cousin of her close friend, someone revered at her local Mosque. She grapples with the challenge of coming forward about the assault and not sure who or whether she can tell. She starts relying on unlikely friends, and finds the strength to stand up for herself.

2015 Morris Award: An Interview with Finalist Leslye Walton

Each year, YALSA’s Morris Award honors a debut book published by a first-time author writing for teens and celebrating impressive new voices in young adult literature. The award morris_seal_finwinner will be announced at the ALA Midwinter Meeting Youth Media (YMA) Awards on Monday, Feb. 2, 2015. Join us for a live webcast of the YMA Awards press conference or follow I Love Libraries on Twitter or Facebook to be among the first to know the 2015 winners. The official hashtag for the 2015 Youth Media Awards is  #ALAyma.

Tava lavenderoday’s interview is with finalist Leslye Walton, author of The Strange and Beautiful Sorrows of Ava Lavender. I was so excited to ask Leslye some questions about magic realism…and baked goods, thanks to one of my students!

If you haven’t read the book already, here is the publisher blurb:

Foolish love appears to be the Roux family birthright, an ominous forecast for its most recent progeny, Ava Lavender. Ava—in all other ways a normal girl—is born with the wings of a bird.

In a quest to understand her peculiar disposition and a growing desire to fit in with her peers, sixteen-year old Ava ventures into the wider world, ill-prepared for what she might discover and naïve to the twisted motives of others. Others like the pious Nathaniel Sorrows, who mistakes Ava for an angel and whose obsession with her grows until the night of the Summer Solstice celebration.

That night, the skies open up, rain and feathers fill the air, and Ava’s quest and her family’s saga build to a devastating crescendo.

Congratulations on your Morris nomination! I absolutely loved your book. It was just beautiful! I (and my colleagues and students) were struck by the multigenerational story and how adult the voice seemed. It felt more mature and reflective than your average YA protagonist narrating from a more immediate and younger perspective. Did you always think you were writing YA? Or did you just write and see which publishers were interested?

Originally, The Strange and Beautiful Sorrows of Ava Lavender wasn’t intended for the YA market. I felt the writing was too lyrical, too chalked full of metaphors for the typical teenaged reader. But after a long, tough road of going-nowhere, my agent, the luminous Bernadette Baker-Baughman, reminded me of all the beautiful, highly literary YA novels out there. After I stopped resisting, I think we sold the novel in a week. Ava Lavender certainly covers some dark and tragic themes—as do so many other great YA novels out there—but it’s also very much a young adult book, and looking back, I wish I had recognized that a bit earlier than I had.

2015 Morris Award: An Interview with Finalist E. K. Johnston

Each year, YALSA’s Morris Award honors a debut book published by a first-time author writing for teens and celebrating impressive new voices in young adult literature. The award morris_seal_finwinner will be announced at the ALA Midwinter Meeting Youth Media (YMA) Awards on Monday, Feb. 2, 2015. Join us for a live webcast of the YMA Awards press conference or follow I Love Libraries on Twitter or Facebook to be among the first to know the 2015 winners. The official hashtag for the 2015 Youth Media Awards is  #ALAyma.

the story of owenE. K. Johnston is a 2015 Morris Award finalist for: The Story of Owen: Dragon Slayer of Trondheim.

Owen is training to be a dragon slayer, a crucial job in a world where dragons bring death and destruction. With help from their friends and family, Owen and his bard Siobhan seek the source of a growing dragon threat.

Congratulations on being a finalist for the 2015 Morris Award! The idea behind the book – that species of dragons exist in our world because they are carbon eaters – is a different and unique take on the dragon trope in fantasy fiction. Yet it makes so much sense given our over-reliance on fossil fuels. What do you personally believe about the use and overuse of fossil fuels, and what practices do you follow, if any, in your own daily life to address this issue?

One common criticism of The Story of Owen is that human beings never developed alternative fuel sources despite the threat of dragon fire as a consequence for carbon emissions. I feel that we are dealing with something similar in the real world, though, without the dragons of course, in that we have been slow to develop the technology to efficiently use wind and solar power. Hopefully it won’t take something catastrophic to give us that final push. For my own part, I try to keep my carbon footprint as manageable as I can.

Are you a fan of alternate history books? If so, what other books would you recommend for teens?

I am a huge fan of alternate history! I couldn’t read any while I was writing my own, and that was terrible, because I missed them. I love Tessa Gratton’s UNITED STATES OF ASGARD and Holly Black’s CURSEWORKER trilogy. I am really like Maggie Stiefvater’s THE SCORPIO RACES, which shows that an alternate history can be quite small, and still super readable and relatable.

I know you’re a forensic archeologist but what is that exactly? Does your profession come into play in your writing?

Forensic [insert profession here] just means that you do your job, but with the idea of serving the law. So you can have forensic accountants and forensic dentists…and forensic archaeologists. I learned how to take archaeological principles and apply them to crime scenes (for evidence recovery and the like). It shows up in my books in strange places, but I was trained to research and account for detail, and I think that’s very helpful for writing.

2015 Morris Award: An Interview with Finalist Isabel Quintero

Each year, YALSA’s Morris Award honors a debut book published by a first-time author writing for teens and celebrating impressive new voices in young adult literature. The award winner will be announced at the ALA Midwinter Meeting Youth Media (YMA) Awards on Monday, Feb. 2, 2015. Join us for a live webcast of the YMA Awards press conference or follow I Love Libraries on Twitter or Facebook to be among the first to know the 2015 winners. The official hashtag for the 2015 Youth Media Awards is  #ALAyma.

Isabel Quintero is a 2015 Morris Award finalist for Gabi, A Girl in Pieces:Gabi 2

Gabi Hernandez chronicles her last year in high school in her diary: college applications, Cindy’s pregnancy, Sebastian’s coming out, the cute boys, her father’s meth habit, and the food she craves. And best of all, the poetry that helps forge her identity. 

I am so happy you and your book are one of the Morris finalists! Gabi, a Girl in Pieces is one of the most realistic books I’ve read. It reflects what I saw as a teen and of teens I know, now. Was it your goal to give voice to Mexican-American teens?

I think it was my goal to present a different narrative of what it can mean to be Mexican-American. Living on the hyphen is a complex cultural existence at times, and we’re often pulled in many directions where allegiance is always demanded. It is a fractured state of being, though I don’t think it’s necessarily bad; at least the having multiple ways of looking at life-the Mexican and American/the male and female. Where that goes awry is when we want to make one way of approaching life, The One Way. That’s where things begin to disintegrate, loyalties are questioned, and patriarchies are born. Back to the narrative though, so many times in media and pop culture we get one narrative of what it means to be Latino/a, specifically in my case, Mexican or Mexican-American. And of course we need the subcategory, the hyphen; we can’t possibly be “real” Americans, and thus we need a story to go along with what makes us part of this country, but at the same time what makes us outsiders. The story of belonging, and not-belonging, that we’ve gotten is that we are housekeepers, landscapers, and migrant fieldworkers-all very necessary jobs to keep society moving, but yet always subservient roles in which we have very little opportunity for autonomy. That’s the story we’ve been given. We see this on big screens, small screens, and in books. And it’s romanticized too. Sure being a landowner, inheriting a farm that your great grandfather owned, has a bit of romance. But being a worker on that land from sun up to sun down, exposed to injury, violence, and rape-not so much. So with Gabi, I wanted to present a different story; one that is just as real, and just as American as that of a migrant farmworker. Because really, I believe those narratives and Gabi are stories of America, unhyphenated; and I wanted to give voice to those characters.