The ubiquity of trilogies (particularly if they are dystopian or otherwise fantastical) in young adult literature has been a topic of frequent discussion in the past few years. And for good reason. It seems like just yesterday I read the first in the epic The Hunger Divergent Mortal Legends trilogy. All joking aside, these books have all sold countless copies, sparked film adaptions (or rumored films) and had an incredible amount of crossover appeal. And I want to make it clear that I don’t consider myself immune to the hype surrounding dystopian trilogies, or trilogies in general. I was there opening weekend for Divergent and Catching Fire just like you, and I love those worlds.
But I also suspect that some of us are burnt out. It’s become commonplace to read a YA novel cover to cover with the understanding that all of this will be explained in the second or third installment. I’d argue that while most novels are judged like films for their ability to stand alone as a piece of media, trilogies work more like watching a miniseries. You know there’s more coming later, so it’s okay if you miss something the first time around. I’m not sure why three is the exact magic number, either. I think we can speculate–personally, I think one sequel is often one too few but by the fourth book one starts to wonder if the author gets paid by the word. Or perhaps there’s an inherent literary quality about trilogies that a full series lacks. The Lord of the Rings does tend to have a more erudite quality than, say, the Fear Street Saga. (Which, by the way, I love. You should all re-read the Fear Street Books. Trust me on this.) Continue reading Three’s a Crowd? The Future of Trilogies in YA Literature