Karen Healey – The Hub

Is This Just Fantasy?: It’s A White, White World–And That’s Got To Change.

Just Fantasy PoC fantasy As a life-long devotee of fantasy fiction, I’ve frequently defended the value of stories that feature dragons, magically gifted heroines, or angst-ridden werewolves. And while I’ve often stated that fantasy fiction isn’t necessarily an escape from reality simply because it includes magic or ghosts, even the most committed fan must acknowledge that the genre is incredibly disconnected from reality in fatal ways. For one, fantasy fiction remains an overwhelmingly white world–an area of literature where you might find vampires or psychic detectives but rarely characters of color.

This lack of diversity is a widespread problem in young adult literature and the larger publishing industry but speculative fiction is especially guilty of inequitable representation within its stories and industry. Just last week, The Guardian published an article by speculative fiction author & essayist Daniel José Older discussing the insidious ways that systemic racism and white privilege has permeated the science fiction and fantasy publishing & fan communities. At last month’s YALSA Young Adult Literature Symposium, there was an entire panel titled “Where Are The Heroes of Color in Fantasy & Sci-Fi?”, which Hub blogger Hannah Gómez recapped with great accuracy & insight.

So, how do we, as readers, fans, & promoters of these genres, demand & nurture fiction with imaginary worlds as diverse as the one we live in? To start, we need to read, buy, promote, and request titles by and about people of color. Accordingly, I pulled together some authors and titles to check out, focusing on fiction that falls on the fantasy side of speculative fiction. This list is far from comprehensive; for more titles, I recommend checking out Lee & Low’s genre-specific Pinterest board, Diversity in YA, and We Need Diverse Books.

High Fantasy

2004 Edwards Award winner Ursula K. Le Guin has long been considered one of the best and most beloved high fantasy writers; she’s also consistently written stories with people of color as protagonists–although film adaptions & book covers have often blatantly ignored this, white-washing characters like Ged, the brown-skinned protagonist of A Wizard of Earthsea. The 2013 Edwards Award winner Tamora Pierce also includes characters of color in her novels; her Emelan books feature both black & multiracial protagonists.

Fans of thrilling adventures & complex heroines should try novels by Cindy Pon, Ellen Oh, or Malinda Lo for rich high fantasy tales rooted in a variety of East Asian cultures. Cindy Pon’s lush & exciting Silver Phoenix and its sequel, The Fury of the Phoenix follow young Ai Ling as she discovers her unique abilities and battles an ancient evil based in the royal palace. Ellen Oh’s Dragon King Chronicles (beginning with Prophecy) also focuses on a powerful young woman struggling to embrace her destiny–the yellow-eyed demon slayer Kira who might be the key to saving the Seven Kingdoms from destruction. Malinda Lo’s Ash (2010 Morris Award finalist, 2014 Popular Paperbacks for Young Adults) and Huntress (2012 Best Fiction for Young Adults, 2012 Rainbow List, 2012 Amelia Bloomer List) are richly imagined, romantic novels I recommend to all fantasy readers! Continue reading Is This Just Fantasy?: It’s A White, White World–And That’s Got To Change.

YA Lit Symposium: Something Wicked This Way Comes of Age: Horror Tackles the Real Issues

I don’t read as much horror as I probably should, since it’s very popular with a lot of teen readers. So, I was very happy to attend this YA Literature Symposium session presented by the two Paulas (Paula Willey and Paula Gallagher) both from Baltimore (MD) County Public Library. Not only did I hear about some horror books I wasn’t familiar with, I also won a scary shark t-shirt! Thanks to their generosity, lots of us in the audience got prizes of galleys of YA books, and everyone got creepy body part shaped candy and packets of Old Bay Seasoning (Why? Because it’s made in Baltimore).

I can’t describe their presentation any better than they did:

“Teens of all types gravitate to horror fiction – perfectly nice kids with perfectly comfortable lives (as well as perfectly nice kids with difficult lives) seek out books by Darren Shan, Alexander Gordon Smith, Jeyn Roberts and the like. In our presentation, we will make the link between the psychological developments that characterize coming of age and the metaphors of horror, and argue that just because it’s all in your head, that doesn’t mean it’s not real.”

Photo Nov 19, 12 11 17 PM — Paula Gallagher (standing) and Paula Willey (sitting)

They mentioned that teens who like horror are nostalgic for series they read as kids like the Goosebumps series, Alvin Schwartz’s Scary Stories, or David Lubar’s Weenies series. Teens today are cutting their teeth on new horror TV shows, and films, even foreign ones like Let the Right One In and are big consumers of media, especially horror series like The Vampire Diaries.

Paula Willey explained why it’s important that we understand why teens like horror:
1. We may need to overcome our own revulsion; people who don’t like it don’t understand the appeal.
2. Horror is unusually good at shining a light on concerns of adolescents in ways other types of fiction do not. Horror is a window into their worries.

They also said that issues of morality can be explored in horror. Alexander Gordon Smith can talk abut good vs. evil in his Escape the Furnace series and get away with it. I had to laugh when they showed a slide from their PowerPoint stating that adolescent development is characterized by poor decision making; risk-taking; and a changing sense of identity and the image on screen was a photo of Bella and Edward from the Twilight movie.

Continue reading YA Lit Symposium: Something Wicked This Way Comes of Age: Horror Tackles the Real Issues

Jukebooks: While We Run by Karen Healey

http://youtu.be/9SosaWJYdEg

They always wanted me to sing “Here Comes the Sun.”

It used to be one of my favorite Beatles songs. The lyrics capture so simply the longing for light. The singer talks about the cold, the ice that hasn’t melted in a long time, but he repeats over and over that the sun is coming home.

In 1969, over a hundred and fifty years ago, George Harrison was having a hard winter. He’d been arrested, he’d had his tonsils removed, and he was being forced to comply with the corporate demands of the Beatles’ recording company. He’d even temporarily quit the band.

Then, one winter’s day, he walked around a friend’s backyard with an acoustic guitar and wrote “Here Comes the Sun.”

In 2128, Abdi Taalib sings this song with Tegan Oglietti. It should have been impossible, because Tegan had died one hundred years earlier. But thanks to cryonic suspension, Tegan was revived to have a second chance at life. It turns out to be a harrowing second chance. In this sequel to Healy’s When We Wake, Tegan’s friend Abdi takes over the narration. Both teens are coerced to sell cryosuspension as an option for the world’s desperately poor. The sales pitch is that refugees in this world can be frozen, sent off on a starship bound for a shining new world, and start afresh. It’s all a terrible lie.

“Here Comes the Sun” is one of the few recorded Beatles songs written by George Harrison. In his autobiography he describes writing the song, exactly as Abdi tells it. He wrote the song in Eric Clapton’s garden. Interestingly, particularly in context to this story, “Here Comes the Sun” was considered for inclusion on a Voyager Golden Record.

Where Are They Now? Morris Award Finalists & Winners

yalsa morris winner Have you ever wondered what YALSA’s Morris Award winning authors have been up to today since they were recognized for their first novels? Well then, this post is the one for you.

For a little background, YALSA has been giving out the Morris award since 2009, which honors debut young adult authors with impressive new voices. This post is not intended to be a comprehensive list of what all of the finalists and winners have been up to, but it’ll give you an idea of what some of our Morris winners and finalists have been writing since winning their awards. (Be sure to take a look at the full list of Morris winners and finalists.)

Then: 2009 Awards

2009 Winner – A Curse Dark As Gold by Elizabeth C. Bunce
2009 Finalist – Graceling by Kristin Cashore

Continue reading Where Are They Now? Morris Award Finalists & Winners

Is This Just Fantasy?: LGBTQ+ Speculative Fiction

As this recurring feature on The Hub clearly indicates, I love fantasy fiction. But even a fan like myself must acknowledge that the genre has limitations, especially in terms of diversity. Speculative fiction has remained a fairly white, cis-gendered, & straight world for a long time. The fact that there seem to be more dragons and robots than LGBTQ+ characters in fantasy & sci-fi novels is shameful and disheartening, especially to the genres’ LGBTQ+ fans. So in celebration of LGBT Pride Month, I set out to overview the current status of LGBTQ+ representation in young adult fantasy and science fiction.

High Fantasy

For readers interested in issues of diversity & representation in speculative fiction, Malinda Lo is one of the most exciting authors and insightful bloggers out there. Her work is also the perfect introduction to high fantasy featuring LGBTQ+ characters. For readers favoring fairy tale retellings, Malinda Lo’s Ash (2010 Morris Award Finalist, 2014 Popular Paperbacks for Young Adults) is an ideal romantic read. In this delicate Cinderella story, an orphaned young woman seeks escape from pain in the promises of a dark fairy but begins to question her choice when she falls in love with the king’s huntress. Meanwhile, readers looking for quest narratives featuring complex heroines should pick up Lo’s Huntress (2012 Best Fiction for Young Adults, 2012 Rainbow List, 2012 Amelia Bloomer List), which follows the journey of two very different young women as they attempt to restore balance to the world–and understand their intense connection. Continue reading Is This Just Fantasy?: LGBTQ+ Speculative Fiction