2015 Morris Award: An Interview with Finalist Len Vlahos

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Each year, YALSA’s Morris Award honors a debut book published by a first-time author writing for teens and celebrating impressive new voices in young adult literature. The award morris_seal_finwinner will be announced at the ALA Midwinter Meeting Youth Media (YMA) Awards on Monday, Feb. 2, 2015. Join us for a live webcast of the YMA Awards press conference or follow I Love Libraries on Twitter or Facebook to be among the first to know the 2015 winners. The official hashtag for the 2015 Youth Media Awards is  #ALAyma.

Today we bring you an interview with Len Vlahos, a 2015 Morris Award finalist for The Scar Boys.

I listened to the audio book edition of Scar Boys, narrated Lincoln Hoppe.  Had you listened to him on another audiobook?  What made you choose him to be the voice of Harbinger “Harry” Jones?

I was so excited when I learned the Random House had acquired the rights to do the audiobook of The Scar Boys, but I was also mystified. I knew nothing about how the process worked. The producer, Kelly Gildea, sent me clips of four possible narrators. The production team had their eye on one in particular, but he sounded too old to me. I knew as soon as I heard Lincoln’s voice that he was Harry. Plus, he’d read King Dork by Frank Portman and absolutely nailed that.  (I should also note that I got to play guitar for the audiobook, which was a great experience.)

What music are you listening to right now?

Right this very second? The tapping of keys on my ancient Macbook. But in general, lately I’ve been playing Roxy Music’s Manifesto, Bruce Springsteen’s Nebraska, and Jackson Browne’s Solo Acoustic Vol 1. (In fact, your question made me stop what I was doing, pull out the Bose Speakers, launch Spotify, and put on some Jackson Browne.)

Were there any songs you wanted to use as chapter titles that didn’t make it to the final novel?

Actually, the original manuscScreen Shot 2015-01-16 at 10.16.00 AMript did not use song titles as chapter heads; it used snippets of lyrics. So, for example, the chapter that currently starts with “Bad Brain (written by Dee Dee Ramone, Joey Ramone, Johnny Ramone, and Marky Ramone, and performed by the Ramones)” originally started with “Gives me the shots, gives me the pills, got me takin’ this junk, against my will…”—New York Dolls Only, it turns out that pesky US copyright law doesn’t allow you to use a snippet of a poem or lyric in a work of commercial fiction without first getting permission. I tried to clear permission, but no one wrote me back. This part of Fair Use law — the copyright law governing use of others’ intellectual property — is actually a bit of a gray area, but it made my publisher nervous, so I changed all the chapter heads to song titles (which can;t be protected with copyright). I spent two weeks searching for appropriate titles that we recorded before 1987. It was a challenge but fun.

If money and copyright were not issues, would you have included all the songs from the titles with the audiobook or as part of a cd soundtrack or downloaded playlist?

Egmont made a Spotify playlist of the chapter heads: Scar Boys 

And yes, I would love it if they were in the audio book. However, those songs were chosen for the textual content. To get a better sense of what I really listen to, check out the playlist I made for my book tour.

I admit I judged this book.  I had an expectation that was far exceeded.  I loved the pervasive misery, the subplots of sadness like ;  reading The Heart of Darkness by Joseph Conrad, Mrs. Mac dying so unexpectedly of cancer, Mr. K’s patient commits suicide, Richie’s accident, and even Harry’s dad loosing his job. Do you see yourself as an optimist, pessimist or realist?  What do you see for your future?

Oh man, what a question. :-) Okay, if we were playing truth or dare and you asked this question, I would have to tell you that outwardly I’m all pessimist, and inside I’m all optimist. I’m a consummate dreamer, My future? I see hard work, happy kids, and fresh air.

Be warned, by the way, Scar Girl — the sequel scheduled to publish in late August — is a lot darker than The Scar Boys. 

I spent way too much time thinking about the lost dog the family finds near a lighthouse while on vacation. I wanted a lot of things for Harry but I felt especially determined that he keep the dog. The impact of this scene changed when I reread it.  Instead of focusing on the dog, I was fixated on Harry’s dad and their terrible encounter. His dad’s quote “pain and stress can hijack a man’s soul and twist it out of shape” made me see how strong Harry was.  I didn’t think Harry’s soul was mangled from his accident. I felt an intense understanding of both characters at this exact scene. Did you write this scene in particular to help us understand forgiveness? 

Great question! There were a lot of things going on in this scene. First, when my family drove across country when I was six years old (I have an older brother and sister, and all five of us were crammed in a Plymouth sedan for three weeks), we found an abandoned dog at a rest stop in Texas. My dad really did throw his back out trying to coax the dog into our car so we could bring him to a shelter.

Second, I was paying homage to Philip Roth’s American Pastoral. There’s a pivotal scene early in that book where the dad accidentally makes fun of his daughter’s stutter. It’s a powerful scene that has always stayed with me, and I was thinking of that when Harry’s father let’s his most horrible of insults slip.

Finally, I was thinking about ways of showing how Harry’s armor became hardened and how it shaped him as a person. That said, Harry doesn’t really come to understand the concept of forgiveness until he figures out how to forgive himself, which is kind of what happens with his story arc. (Whoops! Spoiler!)

Do you have a favorite music video that inspired your work? Or do you have a favorite video that was inspired by your work that we could share on The Hub?

I can’t say that any one music video inspired The Scar Boys, but I will share some video clips of students that were brave enough to play guitar and/or sing at my book events. It made the entire experience so wonderfully special. 

Now that Scar Boys has two awesome covers, do you love them both equally or do you have a favorite?  How involved are you in designing the covers?

Indies Asked to Choose Scar Boys Cover Design
Indies Asked to Choose Scar Boys Cover Design

Publishers have the decision making power over book covers, and I have been really fortunate that Egmont has included me at every step of the process. And really, there have been four covers.  There were two proposed covers for the advanced reader’s copy, which was changed for the hardcover. I kind of love them all equally. Designers are amazing people. It’s a talent I just don’t have. Finally, we just revealed the cover for Scar Girl

Pretty cool, huh?

Yes, Len, yes you are.

-Laura C. Perenic is currently reading Fat Boy Vs. the Cheerleaders by Geoff Herbach

2015 Morris Award: An Interview with Finalist Jessie Ann Foley

Each year, YALSA’s Morris Award honors a debut book published by a first-time author writing for teens and celebrating impressive new voices in young adult literature. The award winner will be announced at the ALA Midwinter Meeting Youth Media (YMA) Awards on Monday, Feb. 2, 2015. Join us for a live webcast of the YMA Awards press conference or follow I Love Libraries on Twitter or Facebook to be among the first to know the 2015 winners. The official hashtag for the 2015 Youth Media Awards is  #ALAyma.

Jessie Ann Foley is a finalist for the 2015 Morris Award. Her book, The Carnival At Bray, is the story of Maggie. Her mother’s latest marriage takes moves her and her sister to Ireland. It is a beautiful story about love, music and struggling with the hard choices. 

What kind of research did you do on being a teen in Ireland?

As a high school teacher, my whole life feels like teen research! But the Ireland aspect was a bit trickier. The Carnival at Bray was originally a short story that I wrote after visiting a carnival fairground in County Wicklow in 2010. I’m Irish-American, but as Maggie learns in the first chapter, that identity can have very little to do with what it means to be actually Irish, and if I had known then that I was setting myself up for the task of expanding it into an entire novel set in Ireland, I might have made things easier for myself and kept Maggie in Chicago. But then, I guess she would never have met Eoin.

My husband, who is from County Kerry, was a huge help to me in writing the novel. I pestered him with constant, nitpicky questions relating to word choice, slang, and authentic details. And if there was a passage that contained lots of dialogue—Eoin’s long monologue about his mother comes to mind—my husband would read it aloud and help me figure out what needed tweaking. I was so nervous for him to read the first draft of the book, because I knew I was going to make ridiculous mistakes. But he was polite enough not to make fun of me.

How did music inspire Maggie’s story? Did you have a playlist you listened to while writing this book?

One of my favorite parts about writing is how the story can surprise you: you think it’s going to be about one thing, but then you start to discover it’s about something else. I didn’t know that my novel was going to be about music when I started writing it. But as Uncle Kevin developed into an important character, the musical angle grew with him. I had so much fun going back and listening to all my 90’s music–some of those albums I hadn’t listened to for years. I listened to a lot of Liz Phair’s Exile in Guyville, the Lemonheads, Smashing Pumpkins, and of course, Nirvana. I listened many times to the live album of the Rome concert that is portrayed in the book. It all definitely brought me back–the music of your youth seems to have that power. I barely remember my first kiss. But I’ll never forget the first time I heard Pearl Jam. Continue reading 2015 Morris Award: An Interview with Finalist Jessie Ann Foley

Where Are They Now? Morris Award Finalists & Winners

yalsa morris winnerHave you ever wondered what YALSA’s Morris Award winning authors have been up to today since they were recognized for their first novels? Well then, this post is the one for you.

For a little background, YALSA has been giving out the Morris award since 2009, which honors debut young adult authors with impressive new voices. This post is not intended to be a comprehensive list of  what all of the finalists and winners have been up to, but it’ll give you an idea of what some of our Morris winners and finalists have been writing since winning their awards. (Be sure to take a look at the full list of Morris winners and finalists.)

Then: 2009 Awards 

  • 2009 Winner – A Curse Dark As Gold by Elizabeth C. Bunce
  • 2009 Finalist  – Graceling by Kristin Cashore

Continue reading Where Are They Now? Morris Award Finalists & Winners

ALA Midwinter 2014: YALSA’s Morris/Nonfiction Award Program & Presentation

morris_nonfiction_program_alamw2014The morning of Monday, January 28th, at the ALA Midwinter Meeting in Philadelphia was filled with excitement. Right on the heels of the ALA Youth Media Awards came YALSA’s Morris/Nonfiction Program & Presentation, and the whole room was abuzz to celebrate this year’s finalists and winners of the William C. Morris YA Debut Award and the Award for Excellent in Nonfiction for Young Adults.

Emceed by YALSA President Shannon Peterson, the program began with the Morris Award winner and finalists, introduced by Dorcas Wong, 2014 Morris Award Committee Chair.

Sex & ViolenceCarrie Mesrobian, author of Morris finalist Sex and Violence, gave a heartfelt speech recounting the significance of libraries in her formative years. She was an avid library user during her youth, but never interacted with librarians as a teen. Despite this, she said, “No matter that I never spoke to a single librarian, the librarians kept the shelves stocked… Librarians regularly and reliably provided me with the books I needed.” And for that, she said, she is “forever grateful.”

Dr. Bird's Advice for Sad PoetsEvan Roskos, author of Morris finalist Dr. Bird’s Advice for Sad Poets, had everyone in stitches by observing that being honored for the Morris is a truly a once in a lifetime opportunity because, well… he can only debut once. He then told a story about how his book empowered a teen reader to get help for their mental health concerns. Of course, the inspiring nature of this anecdote turned to hilarity as he observed that “Dr. Bird’s Advice for Sad Poets actually caused someone to seek therapy.” He concluded by sharing his four-year-old son’s reaction to seeing his book cover. “Daddy, YOU wrote Don’t Let the Pigeon Drive the Bus?” This author is just as hilarious and thoughtful as his book. Continue reading ALA Midwinter 2014: YALSA’s Morris/Nonfiction Award Program & Presentation

2014 Morris/Nonfiction Reading Challenge Final Check In

yalsa morris nonfiction seals

This is it! There are less than 24 hours until the Youth Media Awards at the American Library Association Midwinter conference. (Watch the livestream here.) Tomorrow morning at 8:00 AM Eastern, everyone will find out which book won the 2014 Morris Award and which won the 2014 Excellence in Nonfiction Award. (Among other awards.) Did you read all the nominated titles? Congratulations! Please fill out the form below and give yourself a big pat on the back. If you didn’t read as many as you hoped to, that’s OK! You can still read them after tomorrow.

And keep your eyes on The Hub where we will soon announce the 2014 Hub Reading Challenge, encompassing all of YALSA’s 2014 award winning books and finalists, as well as top ten lists, the Schneider Family Book Award and the Stonewall Book Award.
Happy Almost Youth Media Awards Day, everyone! It’s our own Librarian Oscars! Can’t wait to hear about (and read) the winners.

~Geri Diorio, currently reading Ninety Percent of Everything by Rose George

Morris Award Finalist: Sex & Violence by Carrie Mesrobian

Carrie Mesrobian is a finalist for the 2014 William C. Morris Award for her debut novel, Sex & Violence.  The award Photo Dec 03, 4 17 40 PMhonors previously unpublished authors with the year’s best books for young adults.

Evan Carter has moved around from one town to another his entire teenaged life. His father, a Ph.D in math and computer science, is hired by clients all over the country and he drags Evan along. Not since Evan’s mom died when Evan was 11 has his dad really been present in Evan’s life in any sense. Evan, nearly 18, is used to his dad’s distance because he’s got other preoccupations – girls. Even though he might be the new guy at all his schools, he’s never had any trouble meeting and hooking up with them. He even has a strategy and can profile a girl as “The Girl Who Would Say Yes.” That’s worked well for him until he hooks up with the wrong girl named Collette at his Charlotte, NC school and finds himself nearly killed after her ex-boyfriend and another guy savagely assault him in the school’s communal showers. Afterward, Evan and his father move to the family lake in rural Pearl Lake, Minnesota so Evan can recover from a multitude of injuries, including a broken nose & ribs, hearing loss in his left ear and the removal of his ruptured spleen.

During the spring and summer at the lake he has the chance to hang out with other local teens his age. They are celebrating their last summer before college doing “last things” they haven’t done before. Evan tries to fit in with them and pretend everything’s okay but he’s quiet and withdrawn and is suffering from PTSD. Therapy helps but he’s still unable to shower inside so the lake becomes his nightly bathtub. He’s also obsessed with having short hair since when he was beaten up it was long and easy for his attackers to grab. Continue reading Morris Award Finalist: Sex & Violence by Carrie Mesrobian

Morris Award Finalist: Charm & Strange by Stephanie Kuehn

Charm & StrangeStephanie Kuehn is a finalist for the 2014 William C. Morris Award with her debut novel, Charm & Strange.  The award honors previously unpublished authors with the year’s best books for young adults.

This story is about the struggle of Andrew Winston Winters and will keep you guessing to the end.  We know his family suffered a tragedy and that he was somehow involved.  His brother and sister are dead and he was shipped off to a boarding school.  Before the traumatic event he was known as Drew.  After that he goes by his middle name, Win.  Win excels in science.  The title gets its name from both the names of quarks and how people see Win.  Some find him charming, but most will agree he is strange.

The story is told in alternating chapters in the present and the past.  The present is “matter” and the past is “anti-matter.”  Kuehn does an excellent job weaving the details of Win’s current war within himself while giving us clues to his past.  Win has some serious anger issues and is prone to violence.  In one instance, he takes it out on a boy who beats him at tennis.  Win’s family is full of secrets that will have the reader wondering whether they have supernatural powers or issues with abuse.  Win has problems with his roommate.  Kuehn weaves the details of their relationship as she develops both characters.

It is too simple to call this a werewolf book.  The book is beautifully written.  I read through the book quickly because I had to know what happens next.  Readers who like more cerebral supernatural fantasy will eat this one up.

-Kris Hickey, currently reading Labor Day by Joyce Maynard

An Interview with Morris Finalist Elizabeth Ross, author of Belle Epoque

I am happy to continue our series of 2013 Morris Award finalist interviews with a chat with Elizabeth Ross, author Belle Epoque. Check out Alegria’s review of Belle Epoque, the story of a plain girl hired to become a beauty “foil” for an attractive society girl in 1880s Paris. Elizabeth was kind enough to answer some questions about her novel and even provided us with some pictures used in her research!

In Belle Epoque’s afterword, you mention that Emile Zola’s story ‘Les Repoussoirs’ in part inspired the story, but what made you want to set the book in this time? What do you think is so fascinating to many people of this time in history, and especially in Paris? I’m thinking the enduring love for the paintings of Toulouse Lautrec and other Post-Impressionists, and the continuing romance of the bohemian lifestyle. What is it about that time?

Salon at the Rue des Moulins, Henri Toulouse-Lautrec
Salon at the Rue des Moulins, Henri Toulouse-Lautrec

Paris at the end of the 19th century was a pivotal time in history. Technology, architecture, art and culture were exploding. It was the dawn of the modern age, where the ‘new’ was at odds with old ways of thinking in so many fields.

I’m glad you mentioned Toulouse Lautrec because his art was a huge inspiration for my repoussoirs. The world he painted and the Paris Zola wrote about show the ugly underbelly of a city that we usually associate with romance and luxury. These unbeautiful elements, such as extremes of class and gender inequality, helped augment the stakes and drama for my characters.

Lastly, setting my story in belle époque Paris meant I could examine lots of ideas about today’s society but disguise them in another place and time.

Continue reading An Interview with Morris Finalist Elizabeth Ross, author of Belle Epoque

An Interview with 2014 Morris Award Finalist Cat Winters

In the Shadow of the Blackbirds by Cat Winters

Continuing our author interviews of the 2014 Morris Award Finalists, we turn to Cat Winters, author of In the Shadow of the Blackbirds. Winters takes readers to deadly 1918, when the Spanish influenza spread rapidly across the globe even as World War I continued to rage. Sixteen year-old Mary Shelley Black has been send to live with her aunt in San Diego after her father is arrested for treason. The scene is inconceivable to contemporary teens; ordinary girls covering their faces gauze masks, ordinary boys returning from war with shredded minds and bodies. Winter’s use of historical photographs delivers an additional wallop to this powerful portrayal.

Congratulations! It’s quite an accomplishment to have your debut novel selected for the Morris Award.  In the Shadow of the Blackbirds is an excellent book on so many levels, most particularly the detailed historical setting. Is that where your inspiration for the book started, with the time period? Or was it something else?

Thank you so much! I was incredibly honored to learn In the Shadow of Blackbirds was selected as a Morris Award finalist. The news still feels surreal to me.

This book definitely started with the time period. Way back when I was twelve years old, I saw a Ripley’s Believe It or Not TV episode about the Cottingley Fairies, a real-life story of two English girls who fooled the world into believing they had photographed fairies during the tumultuous World War I period. Years later, I came across more Cottingley Fairy info, as well as the history of séances, in the 1997 Smithsonian magazine article “The Man Who Believed in Fairies,” by Tom Huntington. Ever since I read that article, I’ve been fascinated with the way WWI, the deadly Spanish influenza, and the Spiritualism craze intersected in 1918 to create a tense atmosphere of fear and paranoia. It took me quite a while to figure out how to successfully incorporate that history into a novel, but once I started focusing on the spirit photography fad of the era and decided to make my protagonist a sixteen-year-old girl, everything fell into place.

Why “Mary Shelley” Black? Is this a personal tribute to the author Mary Shelley?

Mary Shelley Black was always a strong, vivid character who first tried making her way into a couple other plot possibilities that never actually progressed beyond the idea stages. She seemed like a person whose name should start with an M, so I toyed with “Mary” and “Moira.” Once I decided she’d make the perfect narrator for In the Shadow of Blackbirds, she insisted on being called Mary Shelley Black. I know that explanation makes me sound a little like one of my spirit medium characters, but that’s truly how her name came about. I studied and loved Mary Shelley’s Frankenstein as a college undergrad, so once I knew I’d be writing from the point of view of a girl named after the author, I let a few other nods to the classic horror story slip into the book.

Continue reading An Interview with 2014 Morris Award Finalist Cat Winters